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Full list of books likely to result in exclusion, if requested

Penny Ablique – ‘What? Oh’ Kim Agency – ‘Austria, Since The End Of THAT’ Zac Anthord – ‘Since It All Happened’ Bobby Appatt – ‘Italy, Italy, Italy, Italy’ Philippe Arabus – ‘German Real-Cash: A History of the Wonky Economy’ John Arrslight – ‘Dixy Slazenge in London – a Novel’ Donna T Arthwaite – ‘So Many Grapes; My Time in the South of France’ Danny Asmonde – ‘Classic French Danger Films Since 1981’ Danny Asmonde – ‘French Danger Films – the Complete Chronology’ Robert Azakabor – ‘All My Greatest Tricks’ Elaine Bathwood – ‘Gender and Chat, the Codes of Convention’ Christopher Biscuit – ‘How we Laughed When We Realised Derrida Was Fake’ Ian Blithe – ‘Making the Nouns Say “Invisible”, Norwegian Swoosh Poetry’ Betty Boxter – ‘Silvia’s Gullible Neck’ Terrence Boy – ‘“He Scored with his…” – The Rules of Nu-Football’ Terrence Boy – ‘Nu-Football – the Complete Results, including exchanges, disputes and five-day games’ (Foreword by Nu-Alan Shearer) Caroline Bylinge – ‘Women and Men Separated at the Table’ Liz Boothstyle-Clagg – ‘The Pop-up Guide to Marx’ Liz Boothstyle-Clagg – ‘Communism with Jigsaws’ Liz Boothstyle-Clagg – ‘Moustache with Everything’ Jimmy Canary – ‘How to Study George Allagiah up Close’ Amanda Carnforth – ‘So Many Grapes – A Critical Approach’ Erick Chattermould – ‘Butterflies or Cats’ Oonagh Claxton – ‘Dr Privately, a Thrills and Spoon episode’ Clive ‘Clive’ Clithe – ‘Clive’ Geraldine Clove – ‘Dissecting a Mint’ Benjamin Cornish – ‘Rewiring my Available Brain: Scottish Quiche-Core in a Post-Millennial Silence Quarry’ Sunderland Covely – ‘The Phantom Journey Through Romania’ Michael Curuthers – ‘Avant-chavs, the Rise of Reebok Experimentalism’ Lollie Dalrymple – ‘Making Food with the Memory’ Ian Davenport – ‘Breaking Wikipedia’s Code’ Angela Decraven – ‘Mcginty’s Forgotten Maids’ Philip John Degtan – ‘Corrupting the Spoon’ Pam Derbness – ‘Humanity for Humanity’s Sake’ Scott Dillinger – ‘Ever Since Science Went Dirty’ Eddy Discus – ‘Phantom Art in Serbia’ Stephanie Drake – ‘Pink bits then Giant Swirls of Milky Cloud – Art in Post-Lego Germany’ Hanif Drizzle – ‘I can see France! A Guide to the Channel Tunnel’ Samantha Edmunton – ‘Photographs’ David Elms – ‘Imaginary, Real, Imaginary, Real’ Geoffrey Everton – ‘Decentring the Paragraph’ (includes pocket-sized paragraph tool-kit) Briony Everton – ‘Postmodern-isitt? London Slang after Virginia Woolf’ Barry Denilson – ‘The Stubbly Genius’ Gianfranco Dee – ‘Metal against a Duck’s Feather: Studies in Abrasive Romanian Gabba’ Emma Fagen – ‘Barcelona?’ Mandy Flipinheck – ‘A-a-a-a-r-r-r-g-g-g-g-g-g-g-h-h-h-h!’ Edward Fogerty – ‘Beginning Neo-Dickensianism’ William Fortune – ‘Scandinavia – its Night Time Silences’ Christian Fuller-Slot – ‘Dusting Down the Potien Vase – Binge Drinking and Noughties Irishmen’ Christian Fuller-Slot – ‘Low-Brow PhDs: Watching The Rugby Chatting To Good-Spirited Strangers Drinking Guinness’ Claire Gaventry – ‘Spittle-vowels (The Rise Of Epic Grime)’ Brian Gillhurst – ‘Act III Made Me Cry: Studies In Horror Theatre’ Steven Grant – ‘Lord Mandelson’ (contains photo collection) Nono Grinstead – ‘You Are The Disk’ Kevin Halliday – ‘Exorcising The Internet’ Kevin Halliday – ‘He Lives In Hyperlinks’ Seamus T Harper – ‘Tea Father? A Religious Satire Anthology’ Tommy Hinchcliffe – ‘Tightrope Journalism: The Future For Magazines’ Jade Hozter – ‘Go ‘ead Mate – Northern Linguistics’ Laura Hueguer – ‘Recession-Fucker: Sleeping With Bankers’ Anthony Iglistepe – ‘Key Austrian Feminist Fights’ Sean Peter Illford – ‘Architectural Fanatics Talk Sport’ Roger Ince – ‘Welsh Paint Cinema’ Lucinda Inverness – ‘Risk Strategies For Cowards’ Lucinda Inverness – ‘You? An Entrepreneur? Shut Up’ Josephine Jallek – ‘Monaco Law: Bernie’s Stranglehold’ Philippe Jeep – ‘Ice – Its uses Beyond the Obvious’ Candice Jollify – ‘Speed Parliament’ Zane Jowett – ‘Sci-fi Business Studies’ Amanda Kelso – ‘No Interchange At Bank’ Amanda Kelso – ‘Alight Here for Buckingham Palace: Green Park Station’ Mark Knowlshllopper – ‘The Dutch And Steam Dance’ Beverley Kruger – ‘Warps To Erode Face Sockets: Drone Metal in Retrospect’ Louis Kismet – ‘We Were Astronauts (Once)’ Gordon Kurtself – ‘Not Too Mild’ Liam Lafferty – ‘The Ecology Of Kent’ Rafael Langley – ‘Responding To ‘Stubborn’ Text’ Lucinda Leek – ‘Analysing Foreign Radio Stations’ Donald Peter Looper – ‘When Stephen Fry Sleeps’ Chloe Lucy – ‘Let’s Get Polish’ Jacob Mcartney – ‘Billowing Adjectives – Nothing Is True’ Rosemary Mardles – ‘Lying About Greeks’ Rosemary Mardles – ‘I Made This Up About Popular Culture’ Gary Mendip – ‘Filthy Torsos’ Mr Void – ‘Your Escape Guide For The Other Room’ Alan Nacbery – ‘Comedians And Calligraphy’ Florence Neary – ‘Brittle Irish Men’ Michael Norman – ‘Snowdrops Dripping In Strange Places’ Ann Marie Nstase – ‘Lanky Chefs’ Iris O’Brien – ‘Iceland’s Dark Conversations’ Martin Richard Olives – ‘Electro Manual I’ Martin Richard Olives – ‘Electro Manual II – Really Sticky Electro’ Martin Richard Olives – ‘Electro Manual III – Underground Concrete Hi-Hats’ Alice Omerod – ‘Tea-Graphs: Techniques, Styles, Short-Cuts’ Omar Ovid-Jones – ‘Bruised Concentration: Czech Headache Verse’ Peter Peters – ‘Look At The Time! Some Examples of Various Times’ Dalia Pavel – ‘The Cold Snap’ Thomas Pillinger – ‘Jane Austen V William Burroughs – A Picture Guide’ Natalie Pormanto – ‘Remember the Seminar’ Alvin Quarters – ‘De-fathomed Monologues’ Arthur Quigg – ‘4x4x2÷8+147 Or Not’ Izzy Qureshi – ‘Silly Investments’ Danielle Renton – ‘Plump Kings’ Ian Robertson – ‘Right Wing and Right Naïve’ Delia Robertson – ‘3D Ghandi’ Grant Romany-Marsh – ‘Spanish Mime Theory’ Berlinda Ross – ‘Cumulus: The Great Myth’ Rodney Sampson – ‘Anti-protagonist Epics: All Those Blank Chapters’ Amir Sedgwick – ‘20/20 Academics’ Moira Seward – ‘Silence Punk’ Louise Smith – ‘20th Century Misogynist Diary Secret’ Arlo Tonger – ‘Freshlake Yachting Conundrum’ Bob Toole-King – ‘A Mathematician Abroad’ Stephen Trentham – ‘Psychoanalytic Interpretations Of Brookside’ Juergen Twig – ‘Pessimists Disintegrate’ Elizabeth Umbridge – ‘I Designed This. It Was Destiny’ Rebecca Ungi – ‘Television Absence’ Timothy Underwood – ‘Salt In The Wounds’ Ringo Vettensome – ‘Infinite Weather Maps’ Emma Victoria – ‘Poets For Prizes’ Carlos Vinchenza – ‘Important Errors’ (world edition) Craig Vitta – ‘Unravelling Hirsute Enigmas – Historic Vikings in Focus’ Rupert Waters – ‘Corrupt Sequels’ Rupert Waters – ‘I Did This One Simply For The Money’ Dylan Westfield – ‘Dipping My Feet In Poland’ Janet Woolcraft – ‘A Taste For Suspicion: Britain Since Ridiculousness’ Vivian Margaret Wren – ‘Deciduous, My Friend’ Lewis Wright – ‘Immense Rainclouds Of Finnish Blizzards’ Tony Xavier – ‘Blank Faces – Germany’s Super-Intelligent Game Shows’ Josephine X – ‘Erased By Abrasion – 70s Jamrock And Its Intense Lakefrost Contours’ Andy Yellow – ‘Glacier Facts – Kissing Pure Cold’ Roger Charles Yen – ‘Shockface’ Cynthia Youngbrow – ‘Plato And Darwin And Drake And Eliot and Chaucer and Hawthorne And Homer And Wordsworth’ Cynthia Youngbrow – ‘Marlowe And Plath And Hogg And Ovid And Conrad And Machiavelli And Pope And De Quincey’ Cynthia Youngbrow – ‘And Keats’ Jimmy Zanzi – ‘Really Minimal Indie’ Nicky Zeen – ‘Tightening Their Rage: Romans And Stand-off Technique’ Amadeus Zomby – ‘Physics? What Is It Good For?’ John Tony Kev Zook – ‘It’s……’

© Copyright 2020 John Maher

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